4,513 Free Images of Etchings In The Yale Center For British Art

paperaquatint prints in the yale center for british artlaid paperhand-coloredetching and aquatintsamuel irelandline engravingwatercoloretching and line engravingengraving and etching
Illustration to 'Nathan, The Wise', William Strang
etchings in the yale center for british artetchings by william strang
The Pilot's Boat, William Strang
etchings in the yale center for british artetchings by william strang
The Hangman's Daughter, William Strang
etchings in the yale center for british artetchings by william strang
The Penance (Ancient Mariner), William Strang
etchings in the yale center for british artetchings by william strang
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
Cape of Good Hope, William Ellis, 1801
aquatint prints in the yale center for british artwilliam ellis (engraver)
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
Interior of the Fleet Ditch, John Wykeham Archer, 1851
aquatint prints in the yale center for british artjohn wykeham archer
View of Brest Harbour, Robert Pollard, 1799
aquatint prints in the yale center for british artrobert pollard (engraver)
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
A Third Modern Military Punishment, Samuel Ireland, 1794
aquatint prints in the yale center for british artsamuel ireland
Thomas Wentworth, 1st Earl of Stratford, Jacobus Houbraken, 1740
etchings in the yale center for british artjacob houbraken
The Ceiling of the Banqueting House at Whitehall: The Union of the Crowns of England and Scotland, Simon Gribelin, 1720
etchings in the yale center for british artsimon gribelin
Maria Margareta de Barlemont Comitissa Hegmondana, Jacob Neefs, circa 1635
etchings in the yale center for british artjacob neefs
The City of Bath taken from the London Road, John Robert Cozens, 1773
etchings in the yale center for british artjohn robert cozens
View of the Waterworks at Marly, and St. Germain-en-Laye seen in the distance, Thomas Girtin, 1802
etchings in the yale center for british artthomas girtin
Quintinus Simons, Pieter de Jode II, circa 1635
etchings in the yale center for british artpieter de jode (ii)
Crook of the Lune, Looking Towards Hornby Castle, John Wykeham Archer, 1821
etchings in the yale center for british artjohn wykeham archer
George Lord Digby Earl of Bristol, Jacobus Houbraken, 1738
etchings in the yale center for british artjacob houbraken
The Waterworks at Marly and St. Germain-en-Laye Seen in the Distance, Thomas Girtin, 1802
etchings in the yale center for british artthomas girtin
Petrus Snaeyers, Pictor, Andries Jacobsz Stock, circa 1635
etchings in the yale center for british artandries jacobsz. stock
The Disappointment, or, The King's Evidence treated with the caution he deserves, William Dent, 1791
etchings in the yale center for british artwilliam dent
Crook of the Lune, Looking towards Hornby Castle, John Wykeham Archer, 1821
etchings in the yale center for british artjohn wykeham archer
Who'll Have a Crown - Now's Your Time, William Heath, 1830
etchings in the yale center for british artwilliam heath (artist)
Hospice of the Great St. Bernard, Number 11 (The Dead House) (vignette), Charles Hamilton Smith, 1830
etchings in the yale center for british artcharles hamilton smith
H.R.H. Prince Leopold, Queen Victoria's Uncle, George Hayter, 1816
etchings in the yale center for british artgeorge hayter
Hvbertvs vanden Eynden, Lucas Vorsterman the Elder, circa 1635
etchings in the yale center for british artportrait engravings by lucas vorsterman (i)
Heysham and Cumberland Mountain, Charles Hamilton Smith, between 1818 and 1823
etchings in the yale center for british artcharles hamilton smith
St. Agatha's Abbey, Easby, John Le Keux, between 1818 and 1823
etchings in the yale center for british artjohn le keux
A Quiet Evening on the Ferry over the Blyth, Francis Job Short, 1890
etchings in the yale center for british artfrank short
Hornby Castle from Tatham Church, William Radclyffe, between 1818 and 1823
etchings in the yale center for british artwilliam radclyffe
Romeo and Juliet, Act IV, Scene V, William Blake, 1799
etchings in the yale center for british artromanticism,fairy painting
View Across the Campo Vaccino, Rome, Richard Cooper, circa 1790
etchings in the yale center for british artrichard cooper, the younger
William Cavendish, Duke of Newcastle, George Vertue, 1739
etchings in the yale center for british artpaintings by george vertue
The House of George Humphrys, Esq., Spark Brook, William Ellis, 1792
aquatint prints in the yale center for british artwilliam ellis (engraver)
Baskerville House, the Residence of John Ryland, Esq., William Ellis, 1792
aquatint prints in the yale center for british artwilliam ellis (engraver)
The House of William Russell, Esq., Showell Green, William Ellis, 1792
aquatint prints in the yale center for british artwilliam ellis (engraver)
George Pritchard, Her Britannic Majesty's Consul, George Baxter, 1845
aquatint prints in the yale center for british artgeorge baxter (printer)
Plate 1, The Fellow 'Prentices at their Looms, William Hogarth, 1747
etchings in the yale center for british artrealism
Plymouth from Stonehouse Hill, William Payne, 1788
etchings in the yale center for british artwatercolor paintings by william payne
Strolling Actresses Dressing in a Barn, William Hogarth, 1738
etchings in the yale center for british artrealism
Monstrous Craws, At a New Coalition Feast, James Gillray, 1787
etchings in the yale center for british artjames gillray
The Company of Undertakers, William Hogarth, 1736
etchings in the yale center for british artrealism
Sales by Auction! - or Provident Children Disposing of their Deceased Mother's Effects for the Benefit of the Creditors!!, George Cruikshank, 1819
etchings in the yale center for british artetchings by george cruikshank
The Valley of the Shadow of Death, James Gillray, 1808
aquatint prints in the yale center for british artjames gillray
Leather Fullers Hall, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Lieu't Gover'r Gall-Stone, inspired by Alecto; or The Birth of Minerva, James Gillray, 1790
aquatint prints in the yale center for british artjames gillray
Middle Temple Gate, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Presages of the Millenium, James Gillray, 1795
aquatint prints in the yale center for british artjames gillray
Stone Buildings, Lincoln's Inn, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Angling [a pair]: 1. Fly Fishing, George Hunt
aquatint prints in the yale center for british artgeorge hunt
Southwest View of Middle Temple, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
The Vine, Samuel Palmer, 1852
drypoint prints in the yale center for british artromanticism,ancients
North Front of Temple Hall, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Birk's Bridge, Richard Samuel Chattock
drypoint prints in the yale center for british artrichard samuel chattock
Lincoln's Inn Hall and Chapel, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Lincoln's Inn Gate, Samuel Ireland, 1800
aquatint prints in the yale center for british artsamuel ireland
Vulture and Lamb, Samuel William Reynolds, 1799
drypoint prints in the yale center for british artsamuel william reynolds
Taking Physick; - or - The News of Shooting the King of Sweden!, James Gillray, 1792
etchings in the yale center for british artjames gillray
Garrick Reading the Ode at the Shakespeare Jubilee, Caroline Watson, 1784
etchings in the yale center for british artcaroline watson
An Enquiry Concerning the Clock Tax, George Murgatroyd Woodward, 1797
etchings in the yale center for british artgeorge moutard woodward
Sir James Butler, 2nd Duke of Ormonde, Simon Gribelin, 1713
etchings in the yale center for british artsimon gribelin
Teignmouth, Devon, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
Anthony Ashley Cooper, Earl of Shaftesbury, Jacobus Houbraken, between 1738 and 1742
etchings in the yale center for british artjacob houbraken
De Begraving, Frederik Christiaan Bierweiler, circa 1820
etchings in the yale center for british artfrederik christiaan bierweiler
Rome from Monte Mario, Elizabeth Byrne, between 1818 and 1820
etchings in the yale center for british artelizabeth byrne
William Murray First Earl of Mansfield, Francesco Bartolozzi, 1786
etchings in the yale center for british artfrancesco bartolozzi
Petition Mongers in Full Cry to St. Stephens beware of Wolves in Sheeps Clo(a)thing, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Rome, from the Farnesean Gardens, John Le Keux, 1820
etchings in the yale center for british artjohn le keux
Cotton Garden, Westminster, John Thomas Smith, 1804
etchings in the yale center for british artjohn thomas smith (1766-1833)
Northern Bears Taught to Dance, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes, James Gillray, 1782
etchings in the yale center for british artjames gillray
Plymouth Dock, from Mount Edgecumbe, William Bernard Cooke, 1816
etchings in the yale center for british artwilliam bernard cooke
The Breaking Up of the Agamemnon, no. 2, Francis Seymour Haden, after 1880
etchings in the yale center for british artfrancis seymour haden
Ticket for the Benefit of Mr. Borghi, Francesco Bartolozzi, 1780
etchings in the yale center for british artfrancesco bartolozzi
St. George & The Dragon & Mad[emoise]lle Rippooting, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A Witch, Upon a Mount's Edge - Vide: Fuzelli, James Gillray, 1791
etchings in the yale center for british artjames gillray
A Plan for the Bank of England Designed by Theodore Jacobsen, Esqr., Paul Fourdrinier
etchings in the yale center for british artpierre fourdrinier
Junction of the Greta and Tees at Rokeby, John Pye, between 1818 and 1823
etchings in the yale center for british artjohn pye
De Geboorten, Frederik Christiaan Bierweiler, circa 1820
etchings in the yale center for british artfrederik christiaan bierweiler
Gen'l Swallow Destroying the French Army, Isaac Cruikshank, 1799
etchings in the yale center for british artisaac cruikshank
Old Houses with the Open Part of the Fleet Ditch near Field Lane, John Wykeham Archer, 1841
etchings in the yale center for british artjohn wykeham archer
Francis Wheatley, R.A., William Daniell, between 1802 and 1814
etchings in the yale center for british artwilliam daniell
The Gilpin Whigs Return to Rochester without their Candidate, Isaac Cruikshank, circa 1790
etchings in the yale center for british artisaac cruikshank
De Kruisiging, Frederik Christiaan Bierweiler, circa 1820
etchings in the yale center for british artfrederik christiaan bierweiler
Plymouth Dock from Mount Edgecumbe, William Bernard Cooke, 1816
etchings in the yale center for british artwilliam bernard cooke
Eight Illustrations of Westminster, John Thomas Smith, 1806
etchings in the yale center for british artjohn thomas smith (1766-1833)
The Popular Candidate Surrounded by his Friends, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
A Meeting of Monopolizers, or the Good Effect of Peace, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
A View of Oxford from the Abingdon Road, John Pye, 1818
etchings in the yale center for british artjohn pye
The Royal Soldier in His Majesty's Service, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
The Mewstone, Entrance of Plymouth Sound, William Bernard Cooke, 1815
etchings in the yale center for british artwilliam bernard cooke
Billy's Fantoccini or John Bull over Curious, Isaac Cruikshank, 1798
etchings in the yale center for british artisaac cruikshank
Ticket for the Theatre Royal, Francesco Bartolozzi, between 1775 and 1800
etchings in the yale center for british artfrancesco bartolozzi
Dover from Shakespeare's Cliff, George Cooke, 1826
etchings in the yale center for british artgeorge cooke (engraver)
The Illustrious Lover of the D. of Cumberland Done Over, Isaac Cruikshank, 1801
etchings in the yale center for british artisaac cruikshank
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris, James Gillray, 1796
etchings in the yale center for british artjames gillray
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